“The Girl Who Kicked the Hornets Nest”
What a way to wrap up the trilogy. The 3rd film brings back the punch and grit of the 1st film. The expected wide shot of Stockholm ends the trilogy. Again, the title of the film has been interpreted rather than translated; a literal one would be “The Hornets Nest that Was Stirred”. And it makes sense in terms of the film because as much as Lisbeth finds redemption and freedom, the story ends more about the shitstorm that ensued over her story.
More superior acting from Noomi Rapace in showing the resurgence of emotions in Lisbeth’s character. All the characters are three-dimensional and developed. The cinematography was uneventful, but not weak in any way. Again, we were spoiled in the 1st film.
We get a far richer experience of the Swedishness of the story in the 3rd film than the others. We see Sweden’s answer to the British stiff upper lip in the courtroom in the non-dramatic exit of the prosecutor, in the measured strain of the judges, and in showing a bit more about the country’s demographics through exploring, temporarily, the various immigrant characters involved in the plot. But the real testament of Swedishness is the ending, the final interaction between Salander and Blomkvist. It’s far from wordy, melodramatic, or emotional. Lisbeth finally thanks him, letting down her guard, and Micke just takes it for what it is.
A trilogy to be watched again and again, and owned.