تطفيش الصبا

الظاهر كان بس كلام افتكاس ساعتها.

كنت مشترك في تخت شرقي زمان لما كنت عايش في إنجلترا. كان التخت طابع لكنيسة في لندن و الهدف أن نقدم الألحان القبطية من خلال الطرب الشرقي. عود. ناي. كونترا باس. دُف. عازف الكمان كان راجل هاوي و عاشق الطرب و حببنا كلنا في الألحان والموسيقى الشرقية.

لما كان في وقت عزف طويل في مقام السيكا كان هو يقول “ها… لازم بقى نطفش السيكا.” و يقوم بعزف تقاسيم بين

المقامات لغاية ما صوت السيكا يختفي من أذهاننا.

(نموذج لمقام السيكا)

دخلت على جوجل من شوي و حاولت ادور على العبارة دي. مش موجودة. يمكن بجد كانت بس حاجه شخصية، نزوة أو فُكاهة منه.

بس الصراحة الفكرة شغلاني الكام يوم اللي فاتو. اعتقد انها بتعبر عن مبدأ عميق. مُمارسة طقوس تخرج مشاعر او افكار او ذكريات مؤلمة. ليتورجية للوصول للتقابل و تعامل. ليتورجية تطالب مني عمل في العادي بهرب منه او تجاهله او اكبر دماغي. و لكمن هو عمل لابد يُقام بيه عشان اكمل السكة.

هو كان بيطفش السيكا، انا هحتاج الفترة اللي جايه اطفش الصبا.

(نموذج لمقام الصبا)

قدامي ٤٨ مكان هنا لازم اطفش منه ذكريات و مشاعر عشان اعرف اروحهم و اتواجد فيهم بطريقة جديدة. مش عايز اكون بعدّي كل مرة على مقبرة ذكريات و احلام مش هتتحقق.

Sluta ljuga för oss, Sverige!

En vän skrev nedanstående text i ett inlägg på Facebook.

Jag går en utbildning och nu ska vi ut och “praktisera” på företag. I min naiva bubbla har jag trott att alla som vill något får en chans på arbetsmarknaden. Dessvärre verkar det som att några i klassen med utländsk(utomeuropeisk) bakgrund har väldigt svårt för att få plats på ett företag. Trodde inte tröskeln var så hög. Själv löste jag det genom att ringa ett företag och fick napp på andra försöket. Avtal skrevs och sen var det klart. En 20-årig kille i klassen som kom från Syrien 2015 och har svensk examen från naturvetenskapliga programmet får inte plats efter att ha sökt på 40 olika företag. Han har full närvaro på Yrkeshögskolan och goda studieresultat. Han har körkort och referenser från arbetslivet. Fixade sommarjobb till honom och han försov sig inte en enda gång. Även på jobbet hade han full närvaro. Har hört att man får “allt gratis och serverat” när man kommer till Sverige. Man får verktygen och materialet, men jävlar en del måste jobba hårt. Så kanske de får en plats. Han måste vara stark. Det var inte en dag för sent att börja plugga för mig. Har nog lärt mig mer om människor än automation när allt kommer omkring.

Texten syftar på narrativet att det handlar “bara” om att skaffa ett job och behärska det svenska språket. Klarar man av dessa öpnnas dörren till Sverige, allt blir tillgängligt möjligt och utförbart. Jag befinner mig i ett mellanförskap, mellan nysvensk i vuxenåldern och förstagenerations invandrarskap i barndomen. Jag har varit svensk medborgare sedan 1996 men har inte det sociala kontakter som de flesta fick i barndomen. Jag är inte uppvuxen med samma vänner sedan förskolan.

Men sedan jag flyttade tillbaka för sex år sedan köpte jag på narrativet, samhällets kära snuttefilt. Lärde mig språket igen och tog till mig några idiom. Skaffade ett jobb. Det blev inte en orkan av vänner och socialt kapital som utlovad trots att jag ansträngde mig och gjorde vad som föreslogs. Bytte bana. Pluggade det jag ville. Försökte skaffa ett jobb bortom yrket. Gick inte. Stängda dörrar.

Det visade sig att att jag utvecklade känslan av berättigande efter ett tag. Varför skaffar jag inte vänner?! Varför blir det inte som det ska?! Jag har gjort allt.

Det funkar inte så i Sverige. Det spelar faktiskt ingen roll alls vad du har gjort eller åstadkommit. Du har inte förtjänat något mer än någon annan. Med språket och jobbet har du endast blivit som alla andra.

Vill du har mer? Kämpa. Förvänta inte dig ett skit av någon annan, samhället eller staten.

Finns det motgångar? Bli kreativ och hitta vägar runt dem.

Sluta gnälla, Mina. Ingen bryr sig. Staten bryr sig inte.

Faktum är att det spelar roll att man har ett utomeuropeiskt namn.

Det spelar roll att man har mörka ansiktsegenskaper.

Det spelar roll att de flesta svenskar oavsett etnicitet inte vill skaffa nya vänner eller släppa in nya kontakter.

Det spelar roll att man är äldre, har inga kontakter och har inte varit här sedan man har varit på barnsben.

Har du något yrke då ska du vara tacksam. Håll tyst nu.

Vill du göra något annat hjälper vi inte dig. Finns andra som är viktigare än dig, som har mer kritiska behov. Du har en sysselsättning. Håll tyst nu.

Känner du någon? Nej? Håll tyst.

Ibland säger en vän att han tänder på sköna tjejer med härlig humor men han blir faktiskt ihop med stela träningsnarkomaner. Han är varken ond eller skev. Han har ingen självinsikt. Hans verklighetsuppfattning är obeprövad.

Denna man är Sverige. Sverige visslar i mörkret och hävdar naivt att påståendena stämmer. Om inte får staten fixa. Inte min grej vetdu.

Narrativet är osant inte för att samhället ljuger utan det svenska samhället har inte behövt tänka på det. Det behöver inte göra det. Allt är ordnat.

Längst ner i vännens inlägg bifogade han en bild som kan tolkas som att nazismen ska slopas. Jag delar inte hans slutsats, att problematiken med sin väns misslyckande i arbetsmarknaden är på grund av nazism som måste bekämpas. Jag tycker att samhället inte vill acceptera att det handlar om namn, utseende och socialt kapital. Och om Sverige accepterar dessa… då blir inte Sverige “ett bra land”, det blir inte modernitets mecca längre. Det blir som alla andra länder. Sverige har ingen moraliskt övertag längre.

Sverige, du är i förnekelse. Sluta ljuga för dig själv och oss som flyttade hit. Tala om för oss sanningen. Då kan vi antingen stanna kvar och acceptera eller protestera och eventuellt gå vidare någon annanstans.

FHM Press Conference 9 July 2020

Source: https://www.youtube.com/watch?v=NrFOihWYXeA&list=PLLqBo3UjMccAyAkJ9uiJkQpPjDYUoWlHp&index=1

Summary

Socialstyrelsen: “Only 3 out of 290 municipalities are experiencing a serious impact [due to the pandemic], citing staffing concerns.”

Carlson: 

“The pandemic, primarily or at least for the most part, is right now affecting non-risk groups, younger people… younger people aren’t heeding our recommendations.”

“The threat level is high. This is due to that we still have a substantial contagion effect, despite that it is spreading right now amongst groups that don’t think they may get infected.”

“Hard to say” about tracking the number of infected citizens

“Still not ready with more extensive analyses” about herd immunity

Socialstyrelsen: “Only 3 out of 290 municipalities are experiencing a serious impact [due to the pandemic], citing staffing concerns.”

Carlson: 

“The pandemic, primarily or at least for the most part, is right now affecting non-risk groups, younger people… younger people aren’t heeding our recommendations.”

“The threat level is high. This is due to that we still have a substantial contagion effect, despite that it is spreading right now amongst groups that don’t think they may get infected.”

“Hard to say” about tracking the number of infected citizens

“Still not ready with more extensive analyses” about herd immunity

Continue reading FHM Press Conference 9 July 2020

FHM pressträff – 9 July 2020

Sammanfattning

Socialstyrelsen: “Endast 3 av 290 kommuner ser en allvarlig påverkan och det handlar om en viss oro för bemanning.”

FHM: 

“Vi har en spridning, som i huvudsak då eller till stor del, finns inom icke-riskgrupper, yngre människor…. Yngre människor respekterar inte riktlinjer som ges.”

“Hotnivån är hög. Det beror på att vi fortfarande har en ganska omfattande smittspridning även om det sker huvudsakligen i grupper som man inte har anledning att frukta att man blir svårt sjuk.”

“Svårt att säga” om hur många som bär på smittan

“Inte färdiga än med mer djupgående analyser” angående flockimmunitet

Continue reading FHM pressträff – 9 July 2020

A Rant about Co-opting International Men’s Day

I’ve been told that today is International Men’s Day. Remarks:

  1. Men don’t need International Men’s Day.
  2. How is it different from any other day?
  3. I hereby boycott this day and if you’re celebrating it today, you’re a very silly boy.

Please don’t celebrate this blatantly nonsensical and unnecessary day.

… unless you’re willing to try out the following suggestions.

A Proposed Way to Celebrate International Men’s Day

1) The next time a guy physically assaults or catcalls a woman, either in front of you or he tells you, don’t laugh. Don’t snigger. Don’t stay silent. Call him out. And suffer the social consequences.

2) The next time someone makes a rape joke online or in front of you, don’t laugh. Don’t tweet about it. Be silent and then call him out. And suffer the social consequences.

3) The next time you see a woman being verbally assaulted online by a guy, jump in and shut him up. Or at least call him out. And suffer the social consequences.

4) The next time someone makes blatant or veiled sexist jokes or comments about women, don’t join in the har-har. Be silent and then make a call whether you will call him out today or do it later. But do it someday. And suffer the social consequences.

This is only a start and this is by no means the only things men can do. But this is a start, an uncomfortable start, an unpopular start.

If you do any or all of the above, congratulations. You’re celebrating “International Men’s Day”. You know what it’s called? Basic human decency. It could be the tagline for this “day” – “International Men’s Day. Basic human decency!” If you suffer consequences because of any of this, congratulations. You’re celebrating “International Men’s Day”. If there is going to be a day in the year where men do things that other men find objectionable, and then they receive ?? recognition for it, let it be this day.

Now, celebrate this “day” and don’t tell anyone, especially women, that you did any of the above. Just do it and shut up.

Otherwise, if you want to eat a steak and grab your dingus while you rail about how “women are taking over”, you are in fact truly, madly, deeply sick.

This was posted originally on my Facebook account three days ago.

Liking One Person and Liking Them Intensely

We’ve been on two dates. My feelings don’t correspond to where we are in the development of our contact. At this point, it’s a burgenoning contact, nothing more. But my feelings are intense.

She’s shorter than me, with stark blue eyes, straight black hair, a calm assurance to her voice, and pale skin. She’s soft-edged and kind, against a backdrop of strength, resilience, and integrity. She’s intelligent, political, and spiritual. And when she hugs me, the warmth emanating from her body throws me off. Her body seems to open up in a vulnerable, but sensual way, as if she is acquiescing to the embrace, in a moment of trust, knowing that she will pull away when she wants.

It’s also been a while since I’ve felt a bodily charge from a hug. I haven’t felt a woman’s body heat in a long time. Most hugs are side hugs or standard Stockholm shell hugs – where the form of a hug is present, but it’s about as personal as being ghosted.

I became emotional on the tunnelbana platform on the way home on Sunday. The overwhelming nature of intense feelings for one person stayed with me for a while. My heart and mind have already raced ahead and that’s alright. I woke up yesterday and today, missing her. Missing her, knowing that I will see her in a month, but feeling like a month is too long. My mind seems to be at the station after dating and before a more solid relationship – the spontaneity of wanting to see each other at a moment’s notice, wanting to share everything or anything that reminds you of her. It’s an intense place to be in when it’s this early in the process.

We kept on finding ways to connect, to share embarrassing secrets that weren’t intimate or private, activities and interests we shared. The hopeful in me sees in it more opportunities to do things and more opportunities to meet, while the rational in me tempers those expectations and looks at it as signs of a healthy friendship being forged over a quiet flame.

The twist is that I haven’t been on a third date in three years. The last same-city contact ended really after the first date, despite several futile attempts in extra-time. And it’s the first person this year, whom I like, that lives in the city and doesn’t require extensive planning to meet them.The last year’s attempts have been with unavailable women or women overseas. And the first date didn’t accelerate in any direction. It was just a first date. The simplicity and normalcy of the first date accelerated the intensity of the experience in me!

So here I am, looking forward to some time after Gregorian-calendar Christmas, for a third date with her, with the emotional intensity of 20 dates. And I just accept it. I have no idea if she feels or thinks the same way; I find it beneficial to maintain that given it’s this early.

I haven’t like one person and liked them only intensely in many years. I say it like that because it’s obviously earth-shattering that people like lots of people a lot and date them all. I was like that, too. And I took it even further. The experience of liking only one person intensely is a fearful one. How can one person make me feel this strongly? Old temptations have been coming up over the past few days, to decrease the fear of the intensity, but I haven’t given in. The intensity of liking one person is only intense for a little while, and then it just stays there in your stomach as knowledge, like a glowing ball. Then it doesn’t hurt or burden or bother you. It’s you carrying that person with you.

When my mind starts planning the future, I tell myself that it’s just been two dates. When my mind starts dissecting the two dates, looking for clues that she likes me she likes me not, I tell myself that it’s just been two dates. When my mind starts questioning the intensity and suggesting I weaken the intensity by throwing in another glowing ball, I say resolutely no.

I like her. I like her only. And I like her intensely.

Inside A Bitter Artist There May Be A Basic Person

It’s strange to be writing again. It’s strange to be doing anything creative again. It’s strange being a producer, rather than a consumer, a consumer of whatever is out there, whatever is interesting, funny, shocking, outrageous, rather than producing something with any of those qualities.

Producer versus consumer, creator versus commentator, maker versus aggregator, it seemed inconceivable to me over the years to have been the latter in these binaries. I am an artist! I am a creative! I live on a higher plane than others, I said to myself. I don’t have to show up when I consume. I don’t have to know the full story to be a commentator. I don’t have to develop my craft to be an aggregator. Basic powers of cognitive ability and pattern recognition (this makes me angry, this seems to be popular with others) is needed to be the latters.

Credit: Tiberio Gracco

I have changed over the years, ever since the writing of the very first blog post on Blogger. (I’m sure you can find it here in the archives.) Back then, I was a tortured “artist” – being very tortured and producing very little art, except in short and intense spurts. Now, I am a “frustrated” “artist” – not frustrated and not making art. I have however identified too deeply with that frustration such that that frustration has become me. The frustration has solidified into bitterness. It could be possible to find an object of my bitterness, but that would be dishonest. There is no object of my bitterness or frustration, there is no deep existential unease, and I am at peace with myself. But it’s like the smell of shit in a clean bathroom. It stays for a while. And you can’t ignore it unless you’re lazy or delusional.

The truth is that I find it hard to read a book, to sit down and listen to a piece of music, without it intuitively being pushed to a background activity, while I pick up my phone to do something else. Even if it’s just to stare at the Home screen. I find it hard to watch TV. I find it hard to read a magazine or just sitting down with a musical instrument to jam a little bit. Writing is hard. Even journalling parts of ideas or random thoughts seems the last possible choice when I have some downtime because my hands instinctively go to my phone. I wake up and fall asleep to the sight of books, CDs, vinyls, and DVDS, sitting quietly while they gather dust. My apartment has become a museum to and for a person who doesn’t really exist anymore – or is a fugitive in a new, unexpected existence.

I am not even bitter like I used to be! I am growing in inner peace and serenity by the day. But it has come at the cost of long years of artistic malnourishment. Nobody can grow on occasional injections of essential vitamins and minerals. I just want to sit on TikTok or YouTube, or scroll through social media, or watch endless streams of videos on Facebook Watch. I have become that person I decried many years ago.

It feels like I am a basic person who has been hiding in a fossil. Maybe I was artistic before and the years in the fossil ate away at me.

Epilogue: The Woman From the Poem

I wrote last month about the woman from the poem. This is where I ended off:

We reconnected recently. She explained. I apologized. And I told her about the poem. And when I found it here on my Medium, I sent it to her.

I’m back on that stage, with one person in the audience. She’s still reading my performance.

And I’m waiting for her to walk out silently or talk to me after the show.

… and this is what happened. She responded. She loved the poem. We bonded over words and IMs. We shared music. We had pillow-talk, where I imagined her voice reading out her messages first thing in the morning. It escalated. Then, it ended. Because of her partner. Like last time, she disappeared.

I cried and grieved for days. And then it was over. Behind me.

Sharing a Poem with the Person You Wrote It For

Credit: PhotoAtelier (https://creativecommons.org/licenses/by/2.0/)

I wrote my poem Don’t Slay Me four years ago, in one sitting, with no editing or drafts.

Message me tonight
Tell me that you can’t do it
because I want to tell you
That there’s a riot going on in my heart

voices hoarse because of you
my heart sore because there’s no you
bringing peace to the disorder

I dream about moving hair away from your eyes
I want to look into them
and see where my place is in them

You told me to surrender
and I have
I have acquiesced to you, the impostor
You may come now into this old hardened castle
with rotten moats and dying doors

Don’t slay me unless you’re going to kiss me
Don’t end me unless you will fall into my arms to celebrate
Don’t smother me unless you will pour sex into my pores
Don’t bury me unless you carve your bed into my chest

I was in love with the woman for whom I wrote this poem, in a way that disarmed me and left me vulnerable, as if naked on stage and I had no plans to be on that stage.

There are a few strong strains of emotion in this poem that haven’t come up in my other work. The direct and open longing for someone, is not something I had expressed in a while. I thought that that type of quiet pleading was something I left behind with the adolescent poems from high school. But, this wasn’t adolescent. This was adult and this was direct, “don’t slay me/don’t end me/don’t bury me”.

Then, there is the direct mention of sex. I have a strained relationship with sex and sexuality. I talk about it in hushed tones and sing about it with bravado. That shows the tension, I suppose. But here, I say to her very openly, that sex is between us. Or, that’s what I want. Wanted. If anything, this poem is a step towards being sexual with someone else, to express a sexual desire.

Finally, there’s the call to action that perhaps is the product of the first two characteristics. Love me. Touch me. Be with me. Don’t slay me. Kiss me. Don’t kill me. That is intimacy and that is confidence, two things I haven’t allowed myself to have in relationships.

I met this woman, and our conversations developed into a thick cloud of desire and longing. We went on one date. And then it ended. She withdrew.

We reconnected recently. She explained. I apologized. And I told her about the poem. And when I found it here on my Medium, I sent it to her.

I’m back on that stage, with one person in the audience. She’s still reading my performance.

And I’m waiting for her to walk out silently or talk to me after the show.