OLR – “Where the Wild Things Are”

This film, although lush with Spike Jonze’s dedication to detail for the dream world, is a little weak. It gets lost in the world of the giant creatures – beautifully made and astutely brought to life -, which drags on until a fairly predictable resolution. Film is intelligent and appealed to my emotions through its metaphor of childhood loneliness and alienation, but its lack of chutzpah left me bored. Still one for the collection. Nod to emotive and expansive soundtrack and sound design.

OLR – “Black Book”

I’m glad I discovered this absolutely priceless gem. Black Book is Europe’s answer to Inglorious Basterds, taking a more stark and less moralistic approach to revenge. The acting is measured but very powerful. The story breaks away from the three act structure without getting lost in the subplot of Ellis’ inner turmoil. Although I flinched when I saw the opening flashback mechanism used (it’s overused in both international and American cinema), the denouement reminded me again that she’s looking back and I wasn’t displeased at that. A breath of fresh air into the Nazi/WWII/Holocaust genre in the spirit of The Reader.