Captain My Captain 💔

I haven’t written anything about Fadi since his passing 3 years ago today. It was both an intentional decision and in hindsight, a wise one. I know myself and I have been through a loss before on social media. I had no control before and I just spilled everything online, almost in real-time. I didn’t want to do that. I wanted to grieve privately and allow others to grieve in their own way. I would have resented people, most probably, had my acts of public grief not been met with immediate praise and validation.

Watching others in my family grieve publicly and openly on social media was difficult at times because a part of me wanted to join in. But he was my cousin and he was their brother, husband, and uncle. They were closer. His passing hit them deeper and harder. His loss broke me, but I decided that it was their time to grieve. My relationship with Fadi was different than theirs.

Fadi was my father, mother, and sister. He was my family. He was my safe space, my north star, captain my captain. He laid his hand lovingly on my shoulder. Him dying brought that all to the conscious. That’s why it was so devastating. I had taken him for granted while he was on earth. I couldn’t admit this to myself then. But it’s become obvious over time that I just assumed, perhaps childishly, that he would always be here. He would be best man at my wedding. We would sit in his garden in Mâne and have coffee and talk music. He would give me his blessing about my wife and he would see my children grow up. I would grow older and he would be there. I would dedicate albums to him and honor him at gigs. I would invite him on my first tour to guest feature and let him steal the show. I would consult him on songwriting and get back his stone-cold, sharp critique. Him dying wasn’t part of the equation.

His death revealed to me how deeply I loved him and how much he meant to me. How I didn’t show up for him. How I didn’t visit him enough, despite him living only 2 hours away from Stockholm. How he would show up in my dreams when I would be so sad and disheartened. How I didn’t ask enough about him, check in, see what he needed, just connect with him. I did no work of the intimacy pursuant to the depth of love I felt for him.

I’ve only dreamt of him a few times since his passing, signaling to me perhaps that him not being in this realm means he’s also left my consciousness. I’m growing up and growing older without him. I still think of him and I still love him. But he’s not part of my every breath, as he used to be for a while after his death. He’s no longer part of my subconscious stirring quietly, like when he was alive.

I had his wedding anniversary saved in my calendar. It was the day before his death. I deleted it. He’s no longer here.
I used to go back and re-read his messages and our conversations. I haven’t done that in a while. He’s no longer here.
I would stop and notice when his photo would show up in other profile photos. The other day, I saw him and I was surprised he was there. Then, I remembered that he was gone. He’s no longer here.

I became sad that his death had become a given. Just like I had taken his life for granted.

As I approached this year’s memorial, I have started to stop and look wistfully at his old apartment door here in Cairo. I never thought that I would live in Cairo, let alone live here without him being alive. It didn’t matter if he had lived here or in France. He just needed to be alive. But I pass by his door and there is no trace of him. The door has been re-modelled and re-designed. On my first day here back in March, I happened to see the inside of the hallway, as I was passing. The new owners had left the door open and I peered in. The walls are different and the flooring is different. The image from my childhood and teenage years is gone. He is gone and so is his apartment. It’s now an unmarked grave. There is no physical evidence of it being his apartment other than the memories in me and all whom knew him.

In poorer parts of Egypt, it is common for people to live close to, or on top, or next to communal tombs. It could be their immediate or even distant relatives. I never quite understood this, thinking as a Westerner. It seemed macabre and odd. Death should be separate and removed out of sight. We shouldn’t have it staring it in our faces every day. It should be in a graveyard, far away from everyday life, perhaps on church grounds or even outside the city.

But this is Egypt. Our pharaonic heritage reminds us that life and death co-exist silently. We live together with death. And now, despite being fortunate to live in a middle-income area of Cairo, I live on top of my cousin’s grave. His grave is in my apartment building and I pass it multiple times a day. Some days, I notice it and I remember him. On other days, I pass by the 3rd floor and I don’t even think about it. I barely remember it’s there. Living on top of a grave has become a normal thing to me. It’s comforting. Despite his grave bearing no marks of him, I knew he was there and I knew he lived there.

Earlier this evening, I took the stairs instead of taking the elevator and I stopped outside the apartment, the grave. I imagined the old grey door, recalling where the broken piece of stained glass was. I used to peer through this when I was younger, to see what was going on inside, whether he was inside jamming or hanging out with friends or if it was dark. It was a portal into the world of love and unconditional acceptance. I came back to the present and saw a polished, brown door. Not his. The portal is gone and he is gone. And his passing no longer pains me. It’s become a part of my bones.

I miss Fadi, the musician, the effortless listener, the philosopher, the comedian, the egyptologist, the polyglot, the older brother, the everything. My everything. His hand no longer rests lovingly on my shoulder. Captain my captain.

My last message to Captain a few days before he passed

Translation of Radwa El-Sherbiny’s Monologue on Terrible Partners

Radwa rips awful partners a new one!

Original video in Egyptian Arabic: https://fb.watch/nCBonC2nJU/

“My problem is that… I [viewer who sent in question] don’t have a problem.
My problem is that I have a man in my life, but he’s not really there.
My problem is that he’s trying to be present in his own way.
He sends me one or two texts a day, barely calling me once a day to check in and see how I am.
Presents are few and far between… not on all occasions. He hasn’t even gotten me flowers, despite the amount of time [we’ve been together].
Minimum effort is spent on communication, just to keep the relationship going.
One day has I love yous… ten days follow without it.
So, thinking about it all… I realized that I really don’t have a problem, but I really feel that I’m not in a real relationship.
I tell him, Should I leave? he says, No. I ask him, should we end this? He says, no need.
I tell him, I don’t want this, he says I love you. And then I go back and the same story over again.
So.. my problem is that this relationship is lukewarm.
What do you think? What should I do?

So, I [host] spent some time thinking. I won’t tell you what I would do if I was in your shoes, but I will tell you what I think, my opinion I mean. The way I see it… there’s a man who’s afraid to lose you and there’s a man who likes to keep you around because you’re a safe bet. He’s got an agenda, a checklist – appearance, religion, values, success, money, the way you carry yourself. It’s all with the [mind], it’s all logical. And his family will tell him, Look. If you leave here, you won’t find anyone else like her. Easy-going, meek, simple, she’s got a good job, her family have money, she won’t make lots of demands on you, easy to have things on your own terms, c’mon, she’s such a nice girl. You can tell her, don’t go out, don’t go there, wear that red veil or don’t, she loves you and is under your command… you see. All up here… ? He’s doing all this with you logically. So, that’s why he deals with you like this, logically, cerebrally. He’s got you on breadcrumbs, he’s got minimum effort invested. His mind is telling him… ‘Keep her around.. and keep her around with your head on your shoulders. This is the man who keeps you around because you’re a safe bet.

<repeat of she’s an easy-going girl and she can be controlled and influenced>

… And when I marry her, I can always cheat on her, who cares? What could she do then?! She can’t do anything. And he’d raise his voice and get all macho on you. ‘I’m a man and I can do whatever I want.’ This is the man who has you as a safe bet.

But the man who’s afraid to lose you? That’s the man who loves you, mind and heart. Loves you and wants you and yearns for you and is not prepared under any circumstance to lose you. So, his phone calls will be many, his I love yous will be many, his checkins will be many, will buy you presents on occasions and for no reason, he waits for your phone call, he doesn’t leave you on seen and doesn’t reply for hours[long comical bit here about her trying to say it in Egyptian]… he cares about you and ask questions, ‘I want to see photos, show me where you’re at with your friends’, he doesn’t video call late at night.. he wants the video call during the day when you’re out and about. Even in an argument, you’ll call him once and he’ll call you once because he’s afraid to lose you.

So, if you’re in a lukewarm relationship [as I explained before], it’s because you’re a safe bet to him.

You seem to be a levelheaded and mature woman, so I’ve broken it down for you and I think you can see it for yourself. Ask yourself [which type is he?] Are you a safe logical bet to him or does he really love you? Will you agree to a ‘cerebral marriage’, a marriage based on logic, or do you want to love and be loved? But if you’re asking me, Radwa, I wouldn’t marry someone until I absolutely love him. Not just a mere love. I can’t make the decision about marriage until I love him from my very core. I have to love him mentally and from the heart, and I have to be sure that he loves me in the same way, he has to be convicted in that way. If I have even a speck of doubt then I won’t create that space in my life for a man. Neither will I force myself to love him because love cannot be forced.

You make that choice, you make that decision.

Do you want a cerebral marriage, marry based on logic? Or do you want to love and be loved?

Your choice, I just told you my opinion.”

A Letter to Immigrant Parents

بابا/پاپي/ابويا
ماما/مامي/امي

انا مينا إبنَك/ابنِك، جاي من المستقبل و عايز اقولكم كام حاجه عشان خسرتوني.

انا اهو، بكلمكم بلغة بتاعتكم. مش ده كويس؟ مش ده افضل حاجه ليكم؟

جاي اكلمكم على اللي حصل و اللي هيحصل.

انت عايشين في المهجر و مش عايشين هنا. عايزين المهجر و الفلوس و الاستقرار بس عايزين مصر و القيم و الكنيسة و العربي و اللمّة و العادات و التقاليد. يعني عايزين عيشة برا بس جو مصر. من حقهم.

طب و انا؟ انا ذنبي ايه؟ ماطلبتش اجي هنا. ماطلبتش اعيش هنا و لا اتربى هنا.

في تلت انواع منكم.
اول نوع، عايز يسيب مصر عشان يبعد عن مصر نهائياً. هيبقي اجنبي ف كل حاجه.
النوع التاني، المتقوقع، جاي برا يعيش مصر في القوقعة بتاعته. مصري حته الثمالة. مصري في النخاع و الكوراع و الاوانص.
والنوع التالت، المتصارع. المتلخبط، البين البنين. و لا هنا و لا هناك. عايز الاتنين. ممكن بيكره مصر و بالتالي بيكره نفسه، او بيكره العيشة ف مصر بس مش قادر يفصل هاويته ف بردو مزال مصري ف كل حاجه، حته لو اتعلم لغة و اتغير او اتلمع.

انتو انهي نوع؟ هل فكرتو فالسؤال ده قبل كده؟

انا جاي اقللكم لو مش قد الهجرة و السفر، ارجعوا بلدكم. بلاش سفر و هجرة. انا عنيت عشان مافكرتوش فالسؤال ده قبل ماتاسفروا. اول ضاحية عدم تفكير في الموضوع ده كان انا.

حددوا انتو مين وعايزين ايه و هاتبقوا مين. و بعدين سافروا.
بس بالبركة كده مينفعش.

مش كل جيلي زي. في ناس طلعوا في البلد اللي اتربوا فيها و اندمجوا. قرروا أن العربي دي لغة اهليهم و مصر مش بلدهم.
عملت عكس الباقي و اتعلمت اللغة و الثقافة بتاعتكم ، الهزار و النُكت، و الكتابة.

و ربنا يزيد و يبارك، وقت راح عالفاضي.
و انا بقيت زيكم، و لا هنا ولا هناك، بقيت متشتت زيكم. اتعديت منكم.

فرحتوا اوي لما بقيت زيكم فالكنيسة. مش بطلب منكم أن كل حاجه باللغة بتاعتي. راضي اني اقعد و اسمع و استوعب نص اللي بيتقال والمكتوب. و انا تقبلت ده و قلت دي طاعة و رضا.

بس انا لسه برا الكنيسة. انا لسه حاسس اني مهمش و مليش صوت. يعني لحد ما، زيكم، متعايش مع القراءات و الوعظات بالعربي. بخدم غيري بلغتهم بس انا مش فاهم كل حاجه. بردو في جزء في عايز اسمع الانجيل و القراءات و الوعظات باللغة بتاعتي، تقبلت الحال. اتعلمت ازي ارد على اسإلة الضغيرين بطريقة ارضيكم و اضحك بيها على نفسي. و اتعلمت ازي ابكت و اُميت الحتة اللي جوايا اللي عندها نفس اسالة اللي بخدمهم.

بس انا من جويا مش سعيد. مش مقتنع. جعان و تايه. بس ساكت.

جاي من المستقبل اقللكم اني في الكنيسة بس بعيد. خادم بس جعان و بيمتلكني خواء و فتور. باقيت كومبارس في هيئة خادم كنسي. بعمل و بقول زي مانتو عايزين عشان اتعودت على ده خلاص.

فهمت حاجة مهمة، انكم زي مفكرتوش ف موضوع نوع اللي بيسافر، مفكرتوش في أن أولادكم يتكلموا عربي و لا لأ. ماحسبتوهاش لا ده حصل بجد.

اهو حصل، و اللغة ماقرقتش حاجه خالص. دايما مش هبقى زيكم. هبقى مهمش و برا و متفرج و كومبارس.

ده اللي حصل. اللي هيحصل بقى.

انا فضلت فالكنيسة بس غيرت فكري. قررت اني ابقى عضو حاي في الكنيسة و مش كومبارس و لا متفرج.
بقى لي صوت.
مابطلتش العربي بس ابتديت اسمع لغيري اللي عايز يسمع و يتعلم بلغته. مش بسكته. مش بشككه ف نفسه. مش بدافع عنكم. مش بقول حاجه باسم الكنيسة او ربنا. مش بعاديكم بس ف نفس الوقت بفكر في اللي بخدمهم اكتر من اني احافظ على النظام الحالي.
فتحت الانجيل بلغتي و فهمت.
اتعلمت من الكنيسة باللغة بتاعتي.
لسه عايش جوا الكنيسة و لما مش فاهم، سالت و دورت و فهمت.
بطلت ارضى بالعربي. دورت لغاية مالاقيت حاجات باللغة بتعاتي.
باقيت شوكة في جنبكم، مش عن تمرض او شغب بس عشان انا ماكملش في طريق موت روحي هادئ طويل المدى.

انا و انتو متساوين قدام ربنا، مفيش حد احتياجاته اهم من التاني.
ربنا مش بيتكلم عربي. ربنا بيتكلم بلغة الصليب و الفداء و الكنيسة.
ربنا بيتكلم عربي ف مكان تاني.

I Was At The Beach

I was at the beach this past week. Gorgeous blue water under an equally sublime blue sky, sporting a scorching sun. White, rocky sand with a horizon in which your eyes get lost in.

I am one part human, one part penguin. I can be in the water all day, eschewing the pain of being sunburnt. (This year, the latter avoided by dutiful and consistent application of sunscreen.) And I channeled my inner penguin and basked in the warm familiarity of sea water. Not as long as I did in childhood, but enough to experience water. Not because it feels good or because it’s summer or because I’m on vacation, but the very force of water on my skin. The closest thing I have as an adult to the womb I don’t remember. But this is womb-like.

Being in water used to be respite and solace as a child, a place to be in for as long as possible until I would get back to the unfamiliar and impersonal world I struggled to understand. But the water was silent and welcoming. I came in, it enveloped me. I left it, it continued without me.

I fight my factory settings of being prim and proper, subdued and dutiful, but the water brings out play. Floating on my back, diving to the bottom of the pool, wiggling like a wet squirrel under the surface – an endless combination of games that require only me in silence. Water is fabulous that way. It’s a womb and home and playground.

Despite its inherent pleasure, water reminds me of loneliness. The endless hours of playing in there as a child were hours of being reminded of loneliness and aloneness. This struck me last year, when I was on vacation in Spain. A loud, boisterous pool filled with happy, excited children and parents… and there I was, supposedly in my beloved lair and it felt so lonely.

I felt this loneliness again this past week, but it didn’t crush me. It didn’t scream for medication or depress me. It just said, Remember this? And I answered, yes.

Being in the water reminds me of my very first short story that I wrote in 2015, enclosed below.

====

Love is Water

Her knuckles found home on the same line on the door. Her eyes hung low as she waited for her common sense to ebb. When that would happen, she would be assailed by the stench of pain and stale liquor reeking through the wood. True as death, it happened. Today, a stranger was present, too.

“Dora.”

It was the rare weakness in Zach’s voice. She hadn’t expected it or seen it in years.

“Dora…” Zach intoned again. Dora walked in, moving as slow as her fear. The stubborn cloud of smoke bit at her eyes. Nothing had really changed except mounds of mess around the couch and her attempts at impressionist painting had disappeared off the grimy walls. But looking down, her high heel colliding into the slimy broth of a dark night’s drinking, she saw vomit outline Zach’s leg and foot.

“Oh my god, Zach,” Dora squeezed out with her shock, as she tried to get around his body to get to him, “not again, dammit.”

She leaned down at his head, as he rolled up his head and looked at her. Her face looked like wet black chalk against the cream ether, but he saw those eyes he once loved. “Yeaaah… again, dammmmmittttt.”

“This is not cleaning up and finding peace…”

“I know… I f-f-ef-fucked up again.”

The crispness of the curse made her recoil, as she looked behind her to sink into a dry spot by her favorite chair behind her. That spot knew her droop from before she left this place called home for 3 years.

“Dorraaa… I love you… I-I-I-reallllyyy lovvvve you.”

“No, you don’t, Zach,” she shot back, with hot tears burning, “This is not love, what you’re doing to yourself. Look at this place. You’ve sucked the life out of it!”

“D… I do love you,” he said with crust around his lips, picking himself up, to sit in the locus of his life, “love is water, it’s all over you.”

It’s all over you? Says the pontificating drunk!, Dora thought to herself.

“Don’t be a dick, you’re a mess right now.” She pulled out her mirror from her purse and lunged it into his face.

“Look! Is this love! How is this love! My man of three years is this!”

“Love is water, baby, it’s waaater,” Zach repeated as he tried to make out the fuzzy outlines of his sunken face, “When you go swimming and you jump in, the water is all over you, it covers every part of you, and it’s there while you’re in there, riiiiight?”

The coherence and pithy of the words struck her. She pulled back her arm. She felt a tap against a door of her heart.

“When you-you-you’re done, and you, uh, uhm, get out, the water falls off you, it leaves you, it leeeeaves you, it faaalls you, riight? You get out and you get a drink, I need a drink, you say I say to myself, and then you sit in the sun, until the whatever’s left on you is absorbed. Love is absorbed, until whatever’s left on you is absorbed.”

The tap grew into a mad banging, along with floods of rain against the windows, as she looked at him.

“I can’t do this again, Zach,” Dora said.

“Love is water… love is water,” Zach chants in a whisper, as he turns around and lays back so that his head is near her legs, as he looks up to stare at his morning sun.

Originally published at https://medium.com/@minademjan/love-is-water-2213c77074a9

Making Bella

taken 2005

I made a film yesterday and put it online. It’s called Bella, after my late maternal grandmother’s nickname.

Backstory

I have been sitting on this concept for the past ten years. I was denied a chance to say goodbye and see her before she slept in Christ. So, I have been wanting to make sense of all the memories, the final things left untold, and living life without her around.

Returning to Egypt to visit my family, has not been the same since she left. There’s this hole now in Cairo, shaped after her. I spent a few days there in 2012 in my grandparents’ apartment. It didn’t bring me closer to her, as I had imagined. I left feeling the loss more intensely. That’s grieving, I suppose.

The idea

A month ago, I stood out in my balcony here in Stockholm. I hadn’t really been out there since I moved in. And as the bustle from the road, the balcony, and the sky converged in a moment: I remembered Bella.

And then I wondered if I could make that film about her, but here in my balcony.

Concept

standing in the balcony, reminiscing over Bella and remembering her, me narrating, with some of my own scoring and using a part of this song by the Saudi Arabian artist Hussain al-Jasmy. This song is about loss and when I first heard it, it become forever married to the memory of my grandmother.

Production

I shot the footage this morning with my Canon EOS on a monopod. Autofocus, standard lens, that’s it. I didn’t want to be distracted by the technical execution. That will come later, I know.

It was an artistic challenge to see how I could both record enough shots so that it is enough for the narration and so that it’s not much of the same. I tried to use different angles, mimicked some panning, and played with shadows on the walls.

Initial Editing

I went through the footage and made clips. I threw down them quickly onto the sequence in Premiere Pro, as quickly as possible. Some thoughts and pictures came back to me from when I was shooting, so I followed their lead. I played through the rough cut a few times to see how it feels.

I brought up a text editor and started writing the narration as it played through the sequence. In a way, I approached this like a broadcast news story rather than a film – record first and then evince the story from the footage.

After I laid down the initial rough cut, I looked at the shots and see how they worked with the script. I tweaked the script in Evernote, as I decided on the final sequence of shots. To avoid too much time re-recording audio later, I remembered a trick that a friend taught me a long time ago: use text clips in your editing software to play with the rough cut and editing process. This really helped me think through the shots before I touched the mic.

Scoring and Narration

I recorded the audio with the M-Audio M-Track soundcard and SM-56 vocal microphone. Adobe Audition Pro CC is my choice for post-processing and production. I really developed my skills in sound editing after this project.

Final Editing

This was definitely the most involved editing project I’ve undertaken, in that I had 4 audio tracks and several video tracks. After laying down all the audio, I took out the placeholder text and tweaked the edit further.

I wanted to avoid tropes with the opening sequence, so I got the idea to break up the introductory song clip with a piece of narration. Thank you, shower! It worked.

Favorite Moments

  • The intro
  • The shot where the narration says, “When I was growing up…” It was just a simple way to portray growing up.
  • The photo I picked of Bella
  • The flashback audio impression of Bella’s voice. I did it in one take and it’s still haunting me.

Lessons Learned

  1. Storyboarding and planning. Using the placeholder texts in the sequence and going through multiple edits made the whole process straightforward and intuitive.
  2. Good audio makes a difference. I really see the value of good-quality, well-edited, solid audio. It increases the production value exponentially.
  3. Keep the shots simple and cheap. They tend to express what you really want to say, without getting lost in the execution.

What’s Next

I’m brainstorming and ruminating over a film about my late friend Nancy. Stay tuned.

 

A Midnight Gem by the Beach

Sometimes, you just discover gems because you’re willing to be curious.

I went for a midnight walk to Hässelby Strand, a nearby beach. I heard some familiar sounds from a distance, it was coming from the barbeque area.

It turned out to be a Middle Eastern ensemble (“takht“) jamming or rehearsing.

I stopped to listen and record.

 

Singing Again

The last time was November 2013, months after I broke up my band The Howlin’ Shibanski. The quiet acoustic gig at an empty bar only deepened my sadness and emptiness, rather than provided the closure or hope that I thirsted for.

I’ll write about the band some other time.

Tonight, I performed three songs at an open-mic event in downtown Stockholm.

It was more of a personal triumph more than a successful performance. I didn’t turn into Douche Mina again. I was scared, nervous, and vulnerable. Nervous, frozen fingers didn’t stop from playing, I smiled and continued.

And when I hit the high or bolted the strong notes, I came alive.

I’ll practice and get back again to play. I don’t need the stage to feel whole or at home, I have that in myself and elsewhere now. But I am alive when I sing and play my music.

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